The Sarah Palin Documentary (Trailer)

Nick Broomfield’s quest for the real Sarah Palin.

This involves battling the icy snows of Alaska in mid winter, the school friends, family, and Republican colleagues that in previous days gave their heart, soul and belief, to the charismatic, charming, intoxicating ex hockey mum.

But it’s not all plain sailing. People are frightened to talk, Wasilla makes Twin Peaks look like a walk in the park. It’s a devout evangelical community – 76 churches with a population of only 6 thousand, and the Crystal meth capitol of Alaska.

Who are the flying monkeys, the enemies, the friends, and most importantly – are you with her or against her? Join the quest and for Christ’s sake buy some thermals!

Retro Posters For Dr. Teeth And The Electric Mayhem

Bob Burnquist's Christ Air Backflip

The Stoned Ape Theory Gets Animated

In his book Food of the Gods, McKenna proposed that the transformation from our early ancestors Homo erectus to the species Homo sapiens mainly had to do with the addition of the mushroom Psilocybe cubensis in out diet – an event which according to his theory took place in about 100,000 BC (this is when he believed that our species diverged from the Homo genus). He based his theory on the main effects, or alleged effects, produced by the mushroom. One of the effects that comes about from the ingestion of low doses, which agrees with one of scientist Roland Fischer’s findings from the late 60s-early 70s, is it significantly improves the visual acuity of humans – so theoretically, of other human-like mammals too. According to McKenna, this effect would have definitely prove to be of evolutionary advantage to our omnivorous hunter-gatherer ancestors that would have stumbled upon it “accidentally”; as it would make it easier for them to hunt.

In higher doses, McKenna claims, the mushroom acts as a sexual stimulator, which would make it even more beneficial evolutionary, as it would result in more offspring. At even higher doses, the mushroom would have acted to “dissolve boundaries”, which would have promoted community-bonding and group sexual activities-that would result in a mixing of genes and therefore greater genetic diversity.

"Summer/Selections" Works by Margaret Kilgallen

Second Nature: A Long Board Film

Second Nature (Sector 9) Full Film from Colin Blackshear on Vimeo.

Surfrider Oil Spill Calander

It's a real shame I didn't discover this until the year was already half over.

Skate Like Bart Simpson

Bart Simpson has been ripping shit for well over two decades now. Terrorizing the streets of Springfield and landing tricks that would leave Danny Way scratching his head. To honor this old school ripper Santa Cruz in releasing this custom setup call the "Bart Mobile". It even comes with a set of stickers to customize your board. See the rest of Santa Cruz's Simpson boards here.

New Shepard Fairey Print "Imperial Glory"

The Skateboard House

Etnies House - Ein Surf-Wohnzimmer from Sergej Barnowicz on Vimeo.

Skateboarding in India

India : Oxelo Skateboards from GuilhemMACHENAUD.com on Vimeo.

Greenpeace Takes On VW With A Little Help From The Star Wars Universe

Shepard Fairey's Revolution Box Set

Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years.

The Fishbone Documentary

"Everyday Sunshine: The Story of Fishbone" - documentary trailer from Tilapia Film on Vimeo.

The World Of Jim Henson

An excellent biography of the Muppet master, this 85-minute film from the PBS show Great Performances mixes the history of Henson’s projects with plenty of sketches that any fan age 6 and older should enjoy. The film shows the incredible range of Henson’s creations, starting in 1955 with “Sam and Friends” then moving on to Sesame Street, The Muppet Show, Fraggle Rock, and beyond. It illustrates the breadth of his genius, from creating entirely new worlds in film (The Dark Crystal) to pithy ’60s TV commercials that achieved branding and a laugh in less than six seconds. There’s footage that most fans haven’t seen in years, or at all: a regular bit from The Jimmy Dean Show; tantalizing bits of his 1965 Oscar-nominated short, Time Piece; appearances on The Ed Sullivan Show and The Tonight Show; his explanation of Wall Street on Nightline; and Miss Piggy’s hilarious deconstruction of Morley Safer on 60 Minutes.

Anonymous Sends A Letter To NATO

Greetings, members of NATO. We are Anonymous.

In a recent publication, you have singled out Anonymous as a threat to “government and the people”. You have also alleged that secrecy is a ‘necessary evil’ and that transparency is not always the right way forward.

Anonymous would like to remind you that the government and the people are, contrary to the supposed foundations of “democracy”, distinct entities with often conflicting goals and desires. It is Anonymous’ position that when there is a conflict of interest between the government and the people, it is the people’s will which must take priority. The only threat transparency poses to government is to threaten government’s ability to act in a manner which the people would disagree with, without having to face democratic consequences and accountability for such behaviour. Your own report cites a perfect example of this, the Anonymous attack on HBGary. Whether HBGary were acting in the cause of security or military gain is irrelevant – their actions were illegal and morally reprehensible. Anonymous does not accept that the government and/or the military has the right to be above the law and to use the phoney cliche of “national security” to justify illegal and deceptive activities. If the government must break the rules, they must also be willing to accept the democratic consequences of this at the ballot box.We do not accept the current status quo whereby a government can tell one story to the people and another in private. Dishonesty and secrecy totally undermine the concept of self rule. How can the people judge for whom to vote unless they are fully aware of what policies said politicians are actually pursuing?

When a government is elected, it is said to “represent” the nation it governs. This essentially means that the actions of a government are not the actions of the people in government, but are actions taken on behalf of every citizen in that country. It is unacceptable to have a situation in which the people are, in many cases, totally and utterly unaware of what is being said and done on their behalf – behind closed doors.

Anonymous and WikiLeaks are distinct entities. The actions of Anonymous were not aided or even requested by WikiLeaks. However, Anonymous and WikiLeaks do share one common attribute: They are no threat to any organization – unless that organization is doing something wrong and attempting to get away with it.

We do not wish to threaten anybody’s way of life. We do not wish to dictate anything to anybody. We do not wish to terrorize any nation.

We merely wish to remove power from vested interests and return it to the people – who, in a democracy, it should never have been taken from in the first place.

The government makes the law. This does not give them the right to break it. If the government was doing nothing underhand or illegal, there would be nothing “embarassing” about Wikileaks revelations, nor would there have been any scandal emanating from HBGary. The resulting scandals were not a result of Anonymous’ or Wikileaks’ revelations, they were the result of the CONTENT of those revelations. And responsibility for that content can be laid solely at the doorstep of policymakers who, like any corrupt entity, naively believed that they were above the law and that they would not be caught.

A lot of government and corporate comment has been dedicated to “how we can avoid a similar leak in the future”. Such advice ranges from better security, to lower levels of clearance, from harsher penalties for whistleblowers, to censorship of the press.

Our message is simple: Do not lie to the people and you won’t have to worry about your lies being exposed. Do not make corrupt deals and you won’t have to worry about your corruption being laid bare. Do not break the rules and you won’t have to worry about getting in trouble for it.

Do not attempt to repair your two faces by concealing one of them. Instead, try having only one face – an honest, open and democratic one.

You know you do not fear us because we are a threat to society. You fear us because we are a threat to the established hierarchy. Anonymous has proven over the last several years that a hierarchy is not necessary in order to achieve great progress – perhaps what you truly fear in us, is the realization of your own irrelevance in an age which has outgrown its reliance on you. Your true terror is not in a collective of activists, but in the fact that you and everything you stand for have, by the changing tides and the advancement of technology, are now surplus to requirements.

Finally, do not make the mistake of challenging Anonymous. Do not make the mistake of believing you can behead a headless snake. If you slice off one head of Hydra, ten more heads will grow in its place. If you cut down one Anon, ten more will join us purely out of anger at your trampling of dissent.

Your only chance of defeating the movement which binds all of us is to accept it. This is no longer your world. It is our world – the people’s world.

We are Anonymous.

We are legion.

We do not forgive.

We do not forget.

Expect us…

Shepard Fariey "They Live" Poster

Fairey credits They Live as a “major source of inspiraton” for his own subversive brand of street art. “They Live was … the basis for my use of the word ‘obey,’” Fairey said in a statement. “The movie has a very strong message about the power of commercialism and the way that people are manipulated by advertising.”

Describing his 2003 exhibition, This Is Your God, Fairey noted: “One of my main concepts with the show, and the [Obey] campaign as a whole, was that obedience is the most valuable currency. People rarely consider how much power they sacrifice by blindly following a self-serving corporation’s marketing agenda, and how their spending habits reflect the direction in which they choose to transfer power.” They Live addresses those same issues, Fairey said.

Pan Am Ad From 2001: A Space Odyssey

The 3D Printed Bikini

N12.bikini - Intro Video from Continuum Fashion on Vimeo.

The N12 bikini is the world’s first ready-to-wear, completely 3D-printed article of clothing. All of the pieces, closures included, are made directly by 3D printing and snap together without any sewing. N12 represents the beginning of what is possible for the near future.

N12 is named for the material it’s made out of: Nylon 12. This solid nylon is created by the SLS 3D printing process. Shapeways calls this material “white, strong, and flexible”, because its strength allows it to bend without breaking when printed very thin. With a minimum wall thickness of .7 mm, it is possible to make working springs and almost thread-like connections. For a bikini, the nylon is beautifully functional because it is waterproof and remarkably comfortable when wet.

Rammellzee's Battlestation

The RAMM:ELL:ZEE from MOCA on Vimeo.


One of hip-hop’s most enigmatic figures, RAMMELLZEE was a graffiti writer, rapper, and sculptor. Born in Far Rockaway. Queens, RAMMELLZEE began a brief graffiti career on the A train in the mid-1970s. By the early 1980s, he was creating paintings and three-dimensional sculptures of letters, many of which were shown in galleries and museums. RAMMELLZEE viewed lettering as a form of weaponry and believed graffiti could liberate the mystical power of the alphabet, as a theory put forth in the manifestos “Ikonoklast Panzerism” and “Gothic Futurism”. A reclusive artist, RAMMELLZEE all but stopped exhibiting his work in public and spent much of the last two decade of his life in his TriBeCa loft he called the Battle Station, where he was rarely photographed without wearing one of his handmade, science fiction-style masks. He died in 2010 at the age of 49.